TELE-AUDIO-VISION
Why Television Ignores Audio -
And Why It Shouldn’t
I’ve
been thinking about this question for quite some time.
Why does television give so much importance to what we see, but so little importance to what we hear?
Maybe
it’s because I come from radio. When you work in radio, you don’t have a face,
a frame, a camera movement, or a beautiful location to tell your story.
You have
a voice.
You have
music.
You have
silence.
You have
the little sounds in between.
And
somehow, those sounds are enough to make people imagine an entire world.
That’s
probably why I notice something that might otherwise go unnoticed.
We call
television an audio-visual medium.
But in
practice, sometimes it feels more like visual-with-audio.
And that
got me thinking:
What if
we looked at television differently?
What if,
just for the sake of the conversation, we called it “Tele Audio Vision”?
Not
because I want to rename television.
But
because maybe we need to remind ourselves that audio deserves a seat at the
table too.
Television
was born to show. But it also learned to speak.
The word
television itself comes from ideas connected to seeing something from a
distance.
And that
makes sense.
The
screen is the first thing we notice.
The
picture tells us where we are. It shows us faces, places, action, expressions,
colours and movement.
But then
there is sound.
A voice
tells us what a person is feeling.
Music
can completely change the meaning of a scene.
Silence
can create tension.
A
distant sound can make us look towards something before we even see it.
Sometimes,
we hear something before we understand what we are seeing.
That is
the strange beauty of audio.
You
don't always need to see something to feel its presence.
Why does
the picture usually get all the attention?
Think
about how we talk about television technology.
4K.
8K.
HDR.
OLED.
Refresh
rate.
Frame
rate.
Colour
grading.
Resolution.
Camera
lenses.
VFX.
We have
entire conversations about the quality of the picture.
And
rightly so.
But how
often do we have the same excitement about dialogue clarity, sound design,
ambience, dynamic range or the way a scene sounds?
Audio
often becomes:
“Can you
hear the dialogue?”
“Fix the
background noise.”
“Add
some music.”
“Do the
final mix.”
And
that's it.
Somewhere
along the production process, sound can become something we fix, rather than
something we create.
Coming
from radio, I see audio differently
In
radio, there is nowhere to hide.
If your
voice doesn't connect, people leave.
If your
storytelling doesn't create an image in their mind, the story doesn't work.
If the
music is wrong, you feel it.
If the
silence comes at the wrong moment, you feel that too.
Radio
taught me something very simple:
Audio
doesn't just accompany a story. Audio can BE the story.
And when
I started thinking about television from that perspective, I began noticing how
powerful sound can be even when there is a beautiful picture in front of us.
Think
about a horror scene.
Sometimes
the most frightening moment isn't when you see something.
It's
when you hear something coming.
A door
slowly opening.
Footsteps.
A
distant voice.
A sudden
silence.
A sound
that you can't quite identify.
The
image shows you what is happening.
Sound
tells you how to feel about it.
And that
difference matters.
Good
audio can change the way we experience an image
We've
all experienced this without necessarily thinking about it.
Watch a
scene with poor audio.
Then
watch the same scene with clean dialogue, carefully designed ambience, music
and sound effects.
Suddenly,
the entire experience feels different.
Sometimes
even the picture feels better.
That's
how powerful sound can be.
A news
report can feel urgent because of its voice, natural sound and music.
A
documentary can feel intimate because we hear someone's breathing, surroundings
or pauses.
A film
can make us emotional with nothing more than a voice and a few notes of music.
And
sometimes, the most powerful sound in a scene is no sound at all.
So why
do we still treat audio as the supporting character?
Maybe we
need to change the mindset
I'm not
saying television should become radio.
And I'm
definitely not saying visuals are less important.
They
aren't.
The
magic is in the combination.
But
perhaps we need to give audio the same creative importance we give visuals.
Why
shouldn't sound designers be involved from the beginning of a project?
Why
shouldn't directors think about sound while imagining a scene?
Why
shouldn't writers consider what the audience will hear, not just what they will
see?
Why
shouldn't we talk about sound with the same excitement with which we talk about
cameras and lenses?
And this
is where my slightly crazy idea comes in.
What if
we called it “Tele Audio Vision”?
Maybe
the name doesn't matter.
Maybe it
does.
Because
sometimes changing the way we describe something can change the way we think
about it.
Tele
Vision Audio.
Tele
Audio Vision.
Or
simply, Audio-Visual.
Whatever
we call it, I think the important thing is that we stop treating audio like an
accessory.
So, I
want to hear from you
This
isn't me trying to give the final answer.
Actually,
I'm not sure there even is one.
I'm
genuinely curious about what other people think.
If
you're a filmmaker, television professional, content creator, editor, sound
designer, radio person—or simply someone who watches a lot of content—I want to
hear your perspective.
Do you
think television underestimates audio?
Should
sound get the same creative importance as visuals?
Do you
think the dominance of visuals is completely justified?
And
here's the question I'm most curious about:
If we
started thinking of television as “Tele Audio Vision”, would it actually change
the way we create content?
Or is it
just a nice phrase?
I'd
genuinely love to hear arguments for and against this idea.
Because
maybe I'm looking at television through a radio person's ears.
Or maybe
we've simply become so used to looking at the screen that we've forgotten to
listen to it.
Either
way, let's talk.
What do
you think?






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